In the process of writing its sophomore self-titled release, Razorlight dulled its edge. The British quintet’s 2004 release “Up All Night” was more of an adrenaline-rush inspired debut compared to this year’s lackluster attempt.

Collectively, the songs are slower, more dragged out. “In The Morning” sets the standard high as a rocking first song with melodic guitars and provocative lyrics like, “Are you really going to do it this time?” Vocalist Johnny Borrell states that songs on the radio all sound similar and everyone looks identical. It is a valid claim for the musician to make, and Razorlight seemed to have avoided taking a personal reflection on the matter. On this album, ironically, you will average tunes rather than exciting Brit-rock.

Along with embracing a softer sound, the band’s lyrics took an emotionless turn. Few of the words are heartfelt and the vocals lacks substance and direction. Borrell sounds as if he’s going through the motions of singing and fills empty space with occasional weeps or oohs.

The few interesting songs on the album represent the musicians in the proper demeanor they deserve. “I Can’t Stop This Feeling I’ve Got” could be a concept song and it may have been the direction the quintet wanted to go with its second album. It opens with a delayed guitar loop, pairing snare rim shots and subtle chord voicing. The outro is filled with distorted guitars and the most expressive drum part found throughout the album.

Other highlights include “America,” a chorus guitar-driven song questioning the stability of the country. Reggae-strummed “Back To The Start” is a Police-reminiscent track containing several refrains of the title and intricate guitar riffs.

The recording quality is crisp and clear. Drums are damp-free and vocals contain slight reverb. The occasional piano and acoustic guitar does not enhance their songs. More detailed time should have been spent on songwriting than studio production.