Crystal Method
January 15, 2004
Following in the endless cycle of mind-numbing techno repetition, Crystal Method doesn’t do anything different with its third album “Legion of Boom.” In fact, it’s hard to distinguish it from the last two albums.
-An hour of music manages to feel like it lasts for days. The continuous flow makes it hard to differentiate between separate tracks.
The first song “Starting Over” begins the loop of deep electronic beats overlapping one repetitive phrase. Although this phrase varies from song to song, the general vibe is the same.
Themes of oppression and the clichéd American dream run throughout “Legion.” The introduction of “High and Low,” showcasing a funky ’70s-inspired guitar riff, provides a break from the monotony, but it quickly returns to the same tired sound.
Crystal Method recruited Rhazel for some freestyle tracks including “Realizer,” which sounds better suited for a minivan commercial than a rave.
Wes Borland, formerly of Limp Bizkit, also makes an appearance showcasing his impressive guitar skills. Even his inspired riffs can’t hold their weight when pitted against the heavy techno beats.
Female vocals from actress/model Milla Jovovich, star of “Resident Evil,” smooth out a rougher track called “I Know It’s You.” Her airy Enya-like lyrics could make the song soothing, if it weren’t for the irritating siren sound effect blaring in the background.
“Broken Glass” sums up the feel of the entire album: It plays like a broken record. Following in the footsteps of many successful bands, Crystal Method doesn’t stray from the formula that made them successful — constant repetition.