The latest release from metalcore innovators Killswitch Engage feels like a riot on a reality TV show. It has the potential for chaos, but the producers will step in if things get too crazy.

Unfortunately, KSE is at their best when they embrace chaos instead of trying to control it. The band’s second self-titled release isn’t bad; it just feels a bit like the band phoned in.

The songs are what the band is expected to write: the songs are heavy and melodic while being catchy and crushing.

While the songs all have their hooks, the majority of the songs take a few too many bars to get moving.

Only “A Light in a Darkened World” and “Take Me Away” start off with hooks. “Alive or Just Breathing,” “The End of Heartache,” and “As Daylight Dies” were all loaded with tracks that took off like a second generation Ford Mustang.

The tracks on “Killswitch Engage” feel like the band traded in their metaphorical Mustang for a Toyota Prius. Metalcore has more in common with a drag race than trying to get the most miles out of a single tank of gas.

There are no “instant hook” tracks on the album like “This is Absolution” off “As Daylight Dies” However, the more reserved approach in tracks like “The Return” and the bridge of “A Light in a Darkened World” are high points on the band’s “mellow” sound.

KSE does bring a number of good songs with the latest release. Once “Never Again” gets rolling it turns out to be a great opening track.

The first two singles, “Starting Over” and “Reckoning” are both strong tracks. “Starting Over” might be the band’s most poppy track yet, but it’s a lot of fun. “Reckoning” doesn’t hit its stride until the chorus, but is a satisfying sing-along.

Lead Vocalist Howard Jones surprises with his range in the track “The Return” and seems to have upped the ante lyrically. However, KSE is more known for catchy guitar-licks than thought provoking lyrics.

Overall, the album should appeal the band’s fan base, even if it does feel like something is missing.