5 / 10

Apparently, it is possible to make a movie so lacking in rhythm that it plays out as a very rough cut of itself.

“The Seeker: The Dark Is Rising,” based on a novel by Susan Cooper, follows the character Will Stanton (Alexander Ludwig). He is the seventh son of a seventh son whose mundane existence comes to an end with the discovery of a supernatural war. The war is one where the forces of light and dark are quite literally competing for space on the Earth.

Will, who lives with his large family in London, is confronted by a band of immortal beings known as the Old Ones. Led by Merriman Lyon (Ian McShane), they inform Will that by destiny he is the Seeker. He has special abilities like superhuman strength, telekinesis, and the power to command light and fire. His task is to find six physical signs (pretty much medallions) and deliver them to the Old Ones. This information is repeated throughout the film to the point where it would not have been a surprise if the characters started passing out pamphlets.

Will is pursued and antagonized by The Rider (Christopher Eccleston), who is the apparent source of the darkness – which, when seen in the film, seems to be nothing more than the same black fog-like substance floating around in those “Grudge” films. He has a nasty habit of reminding everyone that in just a few days he will inherit the Earth. Ensuring that the audience doesn’t forget the plot-line is pointless when the characters are forgettable.

This film falls flat because it can’t find its audience. Teenagers and adults will find minimal interest in it due to the weak storyline. It’s doubtful that even kids will appreciate this mistake of a film disguised as an epic. The action isn’t exciting, and it doesn’t compliment the story in any way. The mere fact that the two opposing forces are referred to as the light and the dark should indicate the pure lack of ingenuity in this film.

“Seeker” actually does have potential, but it takes no risks and poses no challenges. Its avenues of potential go unexplored. This is a movie that tries to tread on formulaic concepts, playing it safe, but somehow just can’t quite stay afloat.