Grade: A

Two years have passed since the Scissors Sisters first snipped out a record. Has the New York group sharpened its edge or dulled in the process of a second album?

The attention the Scissor Sisters received in the U.S. was minimal compared to the extravagant record sales in the U.K. It might be the quintet’s vibrant costumes and unisex harmonies that are more appealing for dance clubs in Birmingham than in DeKalb.

When these musicians take the stage they transform the theater or club into their own house of worship. Direct representation of this is on the live concert video, “We Are Scissor Sisters … and So Are You,” which showcases the bright personalities of the group.

“Ta-Dah” picks up exactly where 2004’s self-titled debut stopped. This album is catchy, danceable and a cohesion in the group’s discography. The 12 lengthy songs complete the sophomore release providing enough satisfaction since the last effort. This is also a suitable introduction to the collaborative style of the quintet.

“I Don’t Feel Like Dancin'” is a strong single with melodic piano and colorful vocals. Chorus-enriched guitars mixed among space effects with sustained chords complete the first track. The song is in no way a teaser that avoids to properly represent what is to follow.

The club music makers take a straightforward approach on “Kiss You Off.” Ana Matronic takes on lead vocal duties backed with heavy riff guitars and quick cymbal crashes. “I ain’t just kissing you/ I’m kissing you off,” sings Matronic, getting to the point of her aggressive undertones.

“She’s My Man” highlights tenor vocalist Jake Shears’ matching composure created by the rest of his band. It is tough to say if Shears or Matronic actually compete on this release, but they continue to work hand in hand with each other.

Some of the melodies and vocal styles found on “Ta-Dah” are reminiscent, if not identical, to disco era groups. It worked then and seems to work now.

Adrian Finiak is a music critic for the

Northern Star