
‘Nosferatu,’ a must-see retelling of the original
By Kahlil Kambui, Assistant Lifestyle Editor
| January 15, 2025

Something ‘Wicked’ this way comes
By Rachael Swinson, Copy Editor
| November 21, 2024

‘Dune: Part Two’ masters cinema
By Nick Glover, Lifestyle Editor
| February 29, 2024

‘Argylle:’ Another average attempt at action
By Lindsay Curtis, Copy Editor
| February 7, 2024

‘The Holdovers’ hits emotions, too slow
By Nick Glover, Lifestyle Editor
| November 12, 2023

‘Priscilla’ highlights power imbalance
By Nick Glover, Lifestyle Editor
| November 7, 2023

‘A Haunting in Venice’ good, not necessary
By Nick Glover, Lifestyle Editor
| October 18, 2023

‘Saw X,’ the epitome of human torture
By Sarah Rose, Managing Editor
| October 3, 2023

‘Dumb Money’ fails to tell narrative tale it’s based on
By Nick Glover, Lifestyle Editor
| September 26, 2023

‘Stop Making Sense’ makes sense
By Nick Glover, Lifestyle Editor
| September 25, 2023

Film review: ‘Resident Evil: Welcome to Raccoon City’
By Daija Hammonds, Managing Editor
| January 11, 2022

Film review: ‘House of Gucci’
By Madelaine Vikse, Editor-in-Chief
| December 21, 2021